A year ago this month, Zannie Voss and Jill Robinson produced one of the first action-oriented research reports about COVID-19’s impact on arts organizations. In the report, titled In it for the Long Haul, Voss and Robinson—who head, respectively, the academic think tank SMU DataArts and its industry partner, TRG Arts—predicted that “the communal nature of arts participation will be a strength to communities hungry to come together again and affirm existential meaning after prolonged isolation.”
The Diversity of Performing Arts Audiences: Weighing Organizational Factors and Business Decisions
National Endowment for the Arts,
06 May 2021, USA
USA
Healing, Bridging, Thriving: Reflections on Arts and Culture in Healthy Communities
Using art for medical healing
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Americas
Healing, Bridging, Thriving: Reflections on Arts and Culture in Healthy Communities
Cuba y Seychelles rubrican acuerdo sobre cooperación cultural
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Government (public) support
Creative Australia delivers matched funding boost for creative projects
Government commits to spur creative economy
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Participation
Cultura y Dirección de Integración facilitan acceso de comunidades a espacios culturales
Bridging Gender Gaps In Africa’s Creative Sectors
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Performing arts
Report lays out a path for theaters’ sustainability in post-pandemic world
Lagos Theatre Festival: A fusion of urban artistic diversity, creativity
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Statistics, evaluation and research
The international conference Artists and Culture after COVID has concluded research on the impact of the COVID-19 pandemic on the cultural sector, identifying ongoing challenges and announcing changes to operations
Artists spend about 60 per cent of their total working time making art – other work is mainly done because the income from making art is not enough to live on
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