Migrant boats, vulnerable teens, a teeming Faustian hell… conscience pervades the Biennale’s big pavilions, while the main international exhibition slips into something more comfortable.
57th Venice Biennale review – the Germans steal the show
The Guardian,
14 May 2017, Italy
Italy
First national capacity-building for the Safeguarding of Intangible Cultural Heritage in Italy
Will Algorithms Replace Docents? A New Mobile App Uses A.I. to Generate Art Recommendations for Turin’s Museumgoers
See all news from Italy