It’s been nearly a year of screen-based art viewing for most of us, but over the summer, some lucky viewers were able to catch a glimpse of in-person performance art during a brief moment of respite in between lockdowns. After months of sheltering in place, Marina Abramović’s highly anticipated opera in Munich and a brand new Tino Sehgal piece in Vienna offered a breath of fresh air—even if from behind masks and in controlled spaces with one-tenth of the normal audience.

https://news.artnet.com/art-world/swan-song-for-performance-art-1922288